Fractal Audio FM3

Kerry Brown

Ambassador of the Great Northern Bar Jams
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I can get one locally for a reasonable price. Anyone have any opinions for or against? Does it work with a DAW through the USB connection? For live use how cumbersome is it to change presets for different songs? Is it best to go to the house sound or use a powered speaker or the return input of a loop on an amp? Does it have bass presets or just guitar?
 
I’m sold on the modelling. What I’m more interested in is how easy is it to switch between a half dozen presets while playing live. Do you have to read the screen? How readable is the screen if it is on the floor in a dark venue? Is it a complicated number of button presses? Is it easy to see which preset you are on by looking at it. Setting up the presets it can be as complicated as all f**k. That doesn’t bother me. I wouldn’t be doing that live. Using it live it needs to be simple. I had a Pod XT live fir a while. It was way too complicated trying to find the right presets live. The screen wasn’t readable without squatting down. For recording, I’m not worried about how complicated it is. I’m not in a hurry for recording.
 
looks like a lot of "pre setup" but as Ola says at the end -- its easier to haul the Fractal than a whole backline and amps etc. -- amazing how many touring pros are going this route....
 
I’m sold on the modelling. What I’m more interested in is how easy is it to switch between a half dozen presets while playing live. Do you have to read the screen? How readable is the screen if it is on the floor in a dark venue? Is it a complicated number of button presses? Is it easy to see which preset you are on by looking at it. Setting up the presets it can be as complicated as all f**k. That doesn’t bother me. I wouldn’t be doing that live. Using it live it needs to be simple. I had a Pod XT live fir a while. It was way too complicated trying to find the right presets live. The screen wasn’t readable without squatting down. For recording, I’m not worried about how complicated it is. I’m not in a hurry for recording.

I used to use the Pod X3 Live when playing out. I spent almost as much time getting my patches right as I would actually practicing the song! Okay, that‘s a bit of an exaggeration, but getting patches right can take some time. It can be kind of fun, though.

However, what I did was that I had a few generic patches for various types of styles: clean, dirty, pushed clean, and another that I called “Power Metal.” I always assign those to the same bank and preset. So, for example, I know Power Metal is on Bank 22D. Another one, “Echo + Echo FX” is on 22B. By staying consistent with this, I know where to go on the processor for certain, core patches that aren’t specific to any particular song. I don’t know about the XT, but the X3 display gives a readout of the patch numbers in pretty large text, so it’s easy to read on stage.

Now, some songs do require very specific presets. For example, “Where the Streets Have No Name” by U2 requires the delay to be very specific - 150 BPM and it uses dual delay subdivisions consisting of a dotted eighth and a sixteenth. “Mama’s Broken Heart” by Miranda Lambert is another one with some interesting and specific delays. So, for songs that have very specific requirements, I’d build my patches accordingly. Then, I’d arrange all the patches to, more or less, match the progression of the set list and number them. On my set list sheet that I gaff tape to the floor, I write the patch number that I’m using for each song. So, I usually only needed one or two taps on a switch to get me what I needed. In my personal practice time at home, I’d practice changing patches with each song, as well. Sometimes, for the more generic patches, I could use the same one for multiple songs.

I will say, if you’re doing a set that has a lot of variety, having a processor really does help things out. Although I’m still very much enamored with my new amp, I could still see myself getting a Fractal, of some sort at some point. My biggest concern with processors is supportability. As new models come out, will the manufacturer still provide support for an older model? It varies. I’ve read that Fractal is good at support and updates, though.
 
I used to use the Pod X3 Live when playing out. I spent almost as much time getting my patches right as I would actually practicing the song! Okay, that‘s a bit of an exaggeration, but getting patches right can take some time. It can be kind of fun, though.

However, what I did was that I had a few generic patches for various types of styles: clean, dirty, pushed clean, and another that I called “Power Metal.” I always assign those to the same bank and preset. So, for example, I know Power Metal is on Bank 22D. Another one, “Echo + Echo FX” is on 22B. By staying consistent with this, I know where to go on the processor for certain, core patches that aren’t specific to any particular song. I don’t know about the XT, but the X3 display gives a readout of the patch numbers in pretty large text, so it’s easy to read on stage.

Now, some songs do require very specific presets. For example, “Where the Streets Have No Name” by U2 requires the delay to be very specific - 150 BPM and it uses dual delay subdivisions consisting of a dotted eighth and a sixteenth. “Mama’s Broken Heart” by Miranda Lambert is another one with some interesting and specific delays. So, for songs that have very specific requirements, I’d build my patches accordingly. Then, I’d arrange all the patches to, more or less, match the progression of the set list and number them. On my set list sheet that I gaff tape to the floor, I write the patch number that I’m using for each song. So, I usually only needed one or two taps on a switch to get me what I needed. In my personal practice time at home, I’d practice changing patches with each song, as well. Sometimes, for the more generic patches, I could use the same one for multiple songs.

I will say, if you’re doing a set that has a lot of variety, having a processor really does help things out. Although I’m still very much enamored with my new amp, I could still see myself getting a Fractal, of some sort at some point. My biggest concern with processors is supportability. As new models come out, will the manufacturer still provide support for an older model? It varies. I’ve read that Fractal is good at support and updates, though.
I still use an X3 live actually lol it was hard to understand for a good 2 weeks but once you figure it out its super easy to go make a program patch within a minute or so
 
Have you considered a Kemper Stage?
5 switches for tones instead of 3.
Just a thought, for somewhat similar money.
 
I still use an X3 live actually lol it was hard to understand for a good 2 weeks but once you figure it out its super easy to go make a program patch within a minute or so

Yeah, it’s easy to get a basic patch. I would often spend a lot of time tweaking the finer details and going into the parametric EQ, particularly if I was trying to recreate the sound of a certain song.
 
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