So, the 2016 T-series know one loved, the Brown Bess fighting with everyone it came in contact with, decided to surrender to me. The the mint MM I was afraid to play for fear of scratching or denting now resides with Da'Ferengi...
The SG was the first of 5 brand new Gibson's i purchased between 2017 and 2018. I had always thought the SG was a cool looking guitar, so i bought this one in September of 2017.
The neck angle is outside Gibson specifications by several degrees. This was confirmed by a Gibson warranty tech in Fountain Valley, California.
In order to keep the strings from digging into the bridge, i used a Faber locking tailpiece screw with height adjustable shims. Its a good fix, but this aspect of the guitar's assembly really bugged me.
Next was the noisy pickups. The guitar hummed and buzzed wildly, making it difficult to play. It would also feedback at even very low volumes and it would broadcast our local radio station through the amp.
I couldn't use the guitar at work because of how noisy it was and i was pretty pissed off about that.
I started by shielding the guitar with over 9 feet of copper tape from Art Of Tone in Ventura, California. This eliminated the radio station broadcast, but the buzz, hum and feedback persisted.
I pulled the PCB and replaced it with a vintage 50's style Gravitt harness and Bourn pots from Gary "Tone Man" Standefer and the noise persisted.
I left the guitar untouched for several weeks to keep from sawing it in half. One day, i ordered a set of cheap GFS Classic II humbuckers. When i installed them, the buzz and hum went totally away, as did the guitar's tendency to feedback.
The Gibson tech in Fountain Valley examined the pickups and advised that both the bridge and neck pickups appeared to have some kind of "abnormality." He actually installed them (a 490T/490R combo) in another guitar and they behaved exactly the same way as they did in the SG.
Nicolas Chemsak at Gibson eventually replaced them through Gibson's warranty and i sold them on Reverb.
The GFS pickups were still in it when Adrian received the SG.
I had difficulty intonating the SG. The Gibson tech noticed the nut was improperly cut and the string heights at the first fret were all over the place, so he replaced the nut. He also smoothed the sharp fret edges.
By this time, i no longer really had a Gibson.
Everything on the guitar had to be replaced or reworked just to make it usable in the studio and for live performances. I seldom played it because of my frustration with it.
For about a year, it was played almost exclusively by my guitar students.
I paid $749.00 for the SG, another $129.00 for the poly case, $44.00 for the Faber Tone Lock tailpiece studs, $90.00 for the custom Tone Man harness, $20.00 in copper tape, $60.00 for a local tech (before I started learning my own repairs) to screw up the intonation twice and $70.00 for a pair of GFS pickups.
My total (actual cash) investment on the SG was now $1,620.00 and i was just beyond disgusted with the time and energy this Gibson had consumed.
The SG spent 6 months for sale on TTR and Reverb - with poly SKG case - for $700.00 with no takers, but several offers of $250.00 to $300.00.
One day, i saw a post by Adrian about a China made, Slash Les Paul Les Paul replica that he had. When i started examining the photos, i noticed that neck angle, neck lateral position, string spacing and alignment were all remarkable, so i offered him a trade.
The China-made Slash replica was just incredibly well put together. Perhaps it was just a fluke, but every dimension on the guitar was verified by the techs at B.Hefner in Whittier, California on CNC measuring equipment and every fret, the bridge post location and the nut shelf (scale length) were dead-on.
In fact, all (4) of my next new Gibson's would end up being examined by B.Hefner and the "Chinese Junk" i got from Adrian was closer to Gibson's actual specs than ANY of the genuine Gibson's were.
These included (2) new 2016 Gibson Les Paul 50's Tributes, one new 2017 Gibson Les Paul Studio T and one used 2015 Gibson Les Paul Standard, all of the new Gibson's were returned to Gibson for misplaced frets, fretboard humps, neck angle errors and electrical noise issues.
The used 2015 Les Paul Standard was given to one of my guitar students as a gift.
That was the end of my Gibson purchases.
For me, the basic build dimensions are either a dealmaker or dealbreaker. Hardware can be swapped in if the basic dimensions are correct. Once i had a solid Les Paul husk, i set out to build a guitar with the very best hardware available.
I always dug how Gibson Les Paul's looked on stage and my heroes played them, so i set out to build my own Gibson Les Paul Custom Replica.
I volunteered under a local luthier and he agreed to help me learn the trade. This ended my dependency on techs.
Once i learned setup, and how to identify dimensional anomalies that i cannot change, i was able to build a decent guitar and identify those belonging to clients that need reapirs beyond what can be done from a practical standpoint.
I love telling people that my "Gibson Les Paul's" are fakes, but they look and play killer...better than any "real Gibson" i have ever played, including highly praised relics from the 1950's.
Glad this thing worked out for you!!!!@!!!!!
