Discussions Around The Keurig:

Inspector #20

Ambassador of Tone
Fallen Star
Country flag
So, this morning we started early to finish up some projects and i asked a couple of these guys which covers should make it onto my new CD (i posted the same question here too) and some discussion broke out in that regard.

The general thought - among the two producers in attendance was - with the exception of "Road To Hell and "Ace Of Spades," the song choices were perceived as being"too safe" and lacked a certain "desperate, spontaneous quality," adding that i seemed to historically place more emphasis on precise playing and production than capturing a raw, live type of sound.

Honorable mention went to the yet unfinished version of Poison's "Nothin But A Good Time," for its "edgier, raw guitar sound" and "lack of emphasis on perfect technique..."

I did get accolades for the mix of artists covered and for my ability to alter my vocals to fit the songs, but i knew down deep that i could do better and that i wanted something more....but what, exactly, i didn't know.

While i am not ready to shelve these covers just yet, the discussion certainly was an eye opener.

So, i just listened and absorbed everything that was being said.

Ive had some time to ponder these critiques and i do see their collective points.

I began to think of something i could do that would be really outside the box (so to speak) and would stand put against the other covers in a very expected way.

After some pondering, the thought came to me to add Living Colour's "Cult Of Personality" to my catalogue. The song indeed has a very raw feel and the solo would certainly stretch me beyond where i am now as a player.

Maybe that's a good start????
 
After some pondering, the thought came to me to add Living Colour's "Cult Of Personality" to my catalogue.
YES... :dood:

"Living Colour's "Cult Of Personality""
Thumbs up, man...
YES... :dood:

Vernon Reids playin is bad ass.Good choice of song.
YES... :dood:

This is the most intimidated I have felt in a long time. Listening to Reid's playing, my mind can hardly keep up with it!!!!
giphy (1).gif
 
So, this morning we started early to finish up some projects and i asked a couple of these guys which covers should make it onto my new CD (i posted the same question here too) and some discussion broke out in that regard.

The general thought - among the two producers in attendance was - with the exception of "Road To Hell and "Ace Of Spades," the song choices were perceived as being"too safe" and lacked a certain "desperate, spontaneous quality," adding that i seemed to historically place more emphasis on precise playing and production than capturing a raw, live type of sound.

Honorable mention went to the yet unfinished version of Poison's "Nothin But A Good Time," for its "edgier, raw guitar sound" and "lack of emphasis on perfect technique..."

I did get accolades for the mix of artists covered and for my ability to alter my vocals to fit the songs, but i knew down deep that i could do better and that i wanted something more....but what, exactly, i didn't know.

While i am not ready to shelve these covers just yet, the discussion certainly was an eye opener.

So, i just listened and absorbed everything that was being said.

Ive had some time to ponder these critiques and i do see their collective points.

I began to think of something i could do that would be really outside the box (so to speak) and would stand put against the other covers in a very expected way.

After some pondering, the thought came to me to add Living Colour's "Cult Of Personality" to my catalogue. The song indeed has a very raw feel and the solo would certainly stretch me beyond where i am now as a player.

Maybe that's a good start????

Don't take this the wrong way but I'd argue the edge left these songs a long time ago. They are...pretty aged. For chrissakes, Ace Of Spades and Cult of Personality are used in commercials now, so they've become about as mainstream as any pop song from the era, no matter how challenging to play. The listener has heard these songs umpteen times (maybe not the Rory song, and I assume you mean the Rory song and not the Chris Rea song) so they've already achieved "classic rock radio" status. To me, I think you gotta dig a whole lot deeper and choose songs people haven't heard a million times, maybe from bands they know but only know the radio hits, which songs like Ace and Cult certainly are. Maybe also search for something a little (lot) more recent? Just my 2 cents.
 
Last edited:
Don't take this the wrong way but I'd argue the edge left these songs a long time ago. They are...pretty aged. For chrissakes, Ace Of Spades and Cult of Personality are used in commercials now, so they've become about as mainstream as any pop song from the era, no matter how challenging to play. The listener has heard these songs umpteen times (maybe not the Rory song, and I assume you mean the Rory song and not the Chris Rea song) so they've already achieved "classic rock radio" status. To me, I think you gotta dig a whole lot deeper and choose songs people haven't heard a million times, maybe from bands they know but only know the radio hits, which songs like Ace and Cult certainly are. Maybe also search for something a little (lot) more recent? Just my 2 cents.

Volbeat 'Seal The Deal' was also considered...
 
Dude...….. Ya gotta do this song! I remember the SNL episode of 30 years ago. I was fricking sweating just watching this on the sofa back then... and I just did again just now:


Isolated guitar track right here, Brother:

If I got a chance to see you perform Cult of Personality, I'd be throwing my panties at you... :2Thumbs:
 
Gonna need Vernon's guitar...

s2vrvela_aztec_gold_straight.jpg
 
I remember when Living Colour came out. I really liked and still do like Vernon Reid's lead playing. To me, it's like he pushes accidentals to the edge or something, like he may not know what he's doing and it begins to sound like wrong notes, BUT he does know what he's doing and it doesn't sound like wrong notes and in fact sounds freak'n awesome as a whole. The band was a trip all the way around. They were somewhat different and fresh at the time and Reid's fairly unique way of approaching guitar/lead was a big part of the reason - at least to/for me anyways... Three Alien Thumbs Up to the Living Colour Band !!!
 
I remember when Living Colour came out. I really liked and still do like Vernon Reid's lead playing. To me, it's like he pushes accidentals to the edge or something, like he may not know what he's doing and it begins to sound like wrong notes, BUT he does know what he's doing and it doesn't sound like wrong notes and in fact sounds freak'n awesome as a whole. The band was a trip all the way around. They were somewhat different and fresh at the time and Reid's fairly unique way of approaching guitar/lead was a big part of the reason - at least to/for me anyways... Three Alien Thumbs Up to the Living Colour Band !!!

Agree 100%!!!!!
 
Back
Top