OK. Now I'm Done....... I Think.

I know that feeling... Give it time.

Nice board.

Rotary is one thing I'm still missing, though I have vibe pedals. I like the sound of the Lester G in the demos I've seen; it just takes up a lot of space. Been thinking about the Line6 or Behringer rotary pedals. Or a Mini Vent, but that's a lot to spend for a specialty sound that wouldn't get used a lot. The Replifex has a really good Leslie sound in the rack, and I do want rotary for the pedalboards.
 
eclecticsynergy said:
I know that feeling... Give it time.

Nice board.

Rotary is one thing I'm still missing, though I have vibe pedals. I like the sound of the Lester G in the demos I've seen; it just takes up a lot of space. Been thinking about the Line6 or Behringer rotary pedals. Or a Mini Vent, but that's a lot to spend for a specialty sound that wouldn't get used a lot. The Replifex has a really good Leslie sound in the rack, and I do want rotary for the pedalboards.
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The Lester G is great, I need to get the expression pedal for it. I had a Hughes & Kettner Rotosphere years ago, the Lester kills it and I got the Lester off Reverb.com for $150.00, couldn't pass it up.
 
My bump studio board,,this set up is used to just move the break point on amp that is used. I always pick an amp for its natural breakup or crunch or clean..on its own,,their is the already solid base coming out chosen speakers for exact guitar placement in a mix

so Klon CL,,more headroom than anything can lift or de emphasis
RAH is a Hiwatt type pedal with a Super hard on boost circuit in front..it will clarify a Marshall or move the fender eq...the boost is very clear or past noon can hit tiny breaks
The Simble is a Dumble style ..it can make a Fender devastating heavy then the Klon into it will sustain for days..its own tone..real nice lower mids..likes other pedals into it
LaGrange..can make fender very middy or de fizz a marshall..has plexi like settings & the variac allows you to hit amp harder at lower values..the boost is dead clear
RAT..the filter knob is the best EQ shift i ever seen..it can move an amp into perfection,,i would buy a pedal with just that knob if there was one..of course..awesomeness into fenders..can ride the fine line of edge of break or totally crush..

took years to get to this..but can fix or adjust any situation i run into immediately with this line up...its on its own power & buffer for unplug from mother board at home workstation...i dont use these for their individual tones..but to just move my amps..board studio (2).jpg
 
syscokid said:
Now THAT'S a frickin pedal... :bow:

View attachment 32733
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I was a little skeptical about getting this one, I've pretty much been a dyed in the wool Vox fan, but after all these years of using them, the one flaw I found is that with age, you really had to stomp on them to engage them. I always liked the concept of the optical switch, so I finally broke down and got one. I really like the always on feature, though it does lack a bit in tone, it makes up for it in convince.
 
yes...............I see-- thank you ;)
so...............................................................................................................................................
where is the front? and the back? I mean where does the "signal chain" start and exit...........

AND--- does one REALLY NEED eqalizations squared?

I mean --- you cant JUST post a clean pedal board with matching BOSS pedalphelia and NOT expect questions
 
eSGEe said:
yes...............I see-- thank you ;)
so...............................................................................................................................................
where is the front? and the back? I mean where does the "signal chain" start and exit...........

AND--- does one REALLY NEED eqalizations squared?

I mean --- you cant JUST post a clean pedal board with matching BOSS pedalphelia and NOT expect questions
Click to expand...

Korg Pitchblack----> TS9----->EQ#1---->CS-3--->NS-2----->>>> Front Of DSL40C

FV30L Pedal---> DD-3--->EQ#2----CS-3-----> FX Loop

Ok...the FV30L acts like an attenuator. The amp can be set to very high volume and controlled with the pedal...meaning you
can turn the amp down and still have a high gain tone.

EQ#1 (right) is on all the time. EQ#2 (left) is only switched on for solos....note the frequency manipulation....
 
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