bea
AmBASSador of the F Clef
Mhmm, my talent is not sufficient to reach the demands of nowaday's professional quality. After a few instruments i have a bit of experience how to deal with my mistakes, maybe even how to avoid things i can hardly do without a router (which i intentionally do not use). And Your SG is looking promising.
Regarding artistic talent: my father was a painter. I did not get much from his talent, but luckily a tiny little bit of his creativity.
That SG conversion is pretty straightforward; it was however necessary to find a balance in the lines. I had, for example, to change the bevelings to make the body look narrower. Otherwise it would be optically too large for the slim neck. And large projects like the archtop or the V bass encountered a phase of planning / thinking for over one year before i bought the first piece of wood. The RD bass has also been intensely reshaped, and that took a few months of planning, too.
Regarding artistic talent: my father was a painter. I did not get much from his talent, but luckily a tiny little bit of his creativity.
That SG conversion is pretty straightforward; it was however necessary to find a balance in the lines. I had, for example, to change the bevelings to make the body look narrower. Otherwise it would be optically too large for the slim neck. And large projects like the archtop or the V bass encountered a phase of planning / thinking for over one year before i bought the first piece of wood. The RD bass has also been intensely reshaped, and that took a few months of planning, too.










