Ok, next up is the 1987 Squirecaster with Gibson 500T in the bridge. Pole pieces are set to the 12" radius of the fretboard and poles are set 4/32" from the strings, fretted at the last fret.
The Marshall DSL40C was put in an isolation room (extra bedroom - hardwood floors) and mic'd from 4 Feet Away at a 45° Angle with Cardioid/Condensor Microphone.
Amp Dial (not clock) Settings: Lead 2 ON - Gain 3 - Volume 5 - Treble 8 - Mids 10 - Bass 7 - Tone Shift IN - Presence 3 - Resonance 5 - Reverb 2
First two phrases are 'Heavy Metal' by Sammy Hagar. First phrase is played bridge pickup ONLY - Second phrase is played 180° out-of-phase.
The next phrase is 'You Shook Me All Night Long' by AC/DC. First phrase is played bridge pickup ONLY - Second phrase is played 180° out-of-phase.
Volume and tone controls remain full-up at all times. No changes were made to the amp settings.
1987 Squirecaster Gibson 500T In and Out Of Phase Soundclips
The Marshall DSL40C was put in an isolation room (extra bedroom - hardwood floors) and mic'd from 4 Feet Away at a 45° Angle with Cardioid/Condensor Microphone.
Amp Dial (not clock) Settings: Lead 2 ON - Gain 3 - Volume 5 - Treble 8 - Mids 10 - Bass 7 - Tone Shift IN - Presence 3 - Resonance 5 - Reverb 2
First two phrases are 'Heavy Metal' by Sammy Hagar. First phrase is played bridge pickup ONLY - Second phrase is played 180° out-of-phase.
The next phrase is 'You Shook Me All Night Long' by AC/DC. First phrase is played bridge pickup ONLY - Second phrase is played 180° out-of-phase.
Volume and tone controls remain full-up at all times. No changes were made to the amp settings.
1987 Squirecaster Gibson 500T In and Out Of Phase Soundclips
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