Shall I hone this razor to an even finer edge? Or, blur the lines?
Okay. I shall.
It could be argued, that there is a difference between a "fake" as in a guitar meant to fool someone into believing it is something else, and a "replica," meaning a guitar meant to recreate the details of a particular instrument. Now, this if course begs the question whether "fake" is anything other than the original, or if "fake" is to be used only with the intention of misleading.
I think we normally use the term "fake" to denote something intended to mislead, as in this definition:
"
fake1
fāk/
adjective
- 1.
not genuine; counterfeit.
"fake designer clothing"
synonyms: forgery, counterfeit, copy, pirate(d) copy, sham, fraud, hoax, imitation, mock-up, dummy
noun
- 1.
a thing that is not genuine; a forgery or sham.
"the painting was a fake"
synonyms: forgery, counterfeit, copy, pirate(d) copy, sham, fraud, hoax, imitation, mock-up, dummy, reproduction;
informalphony, rip-off, knockoff, dupe
"the sculpture was a fake"
https://www.google.com/search?q=fak...69i57j69i60.1362j0j8&sourceid=chrome&ie=UTF-8
So, the idea behind "fake" is a counterfeit - something that is intended to deceive. However, the Peter Max 1959 replica Les Pauls, and the Kevin Derrig replica Les Pauls are a different animal. They are not intended to counterfeit; they are intended to recreate minute details of a particular model. They are built, marketed, and sold as replicas and the builders of instruments such as these take pride in the fact that they are NOT Gibsons. Their selling point is that they have out-Gibsoned Gibson. People willingly pay the incredibly high prices for the Max Les Paul and the Derrig Les Pauls knowing full-well what they are because they want what they believe to be a very special Les Paul design...the 1959...and they feel Max and Derrig have successfully recreated that.