LOL And this kind of talk from a guy who not only played one of these, but lived to tell about it and even to show Throwback pics with it, and if I am not mistaken, totally redid and restored it.
View attachment 77765
I was always picked on and made fun of over that Silvertone. I had only 18 frets, so some solos had to be transposed into a different register. The necks on the Silvertone/Danelectros of that era were non adjustable, so action and intonation was a compromise.
I made up for it by being louder and more aggressive than anyone else. My Duncan Quarter Pounder had been overwound to almost 20k.
My main rig was a Traynor YBA-2 bass head with an Ampeg 8x10 SVT-810-E bass cabinet.
I owned only two pedals - A DOD FX-50 Overdrive and a DOD FX-90 Delay.
From 1979 until 1984, the Silvertone was my main guitar. It sucked, TBTH, but I was playing full-time in a bar band earning $125.00/week and I didn't make enough to get a better guitar.
We rotated between playing at Charlie's in Porterville, Hoot N Holler in Terra Bella, Redbanks Saloon in Redbanks, (Now Smokey's Dead Rat Saloon) The Loading Chute in Woodlake and Crazy Delbert's in Visalia, California.
I restored it as a gesture to repay my Mom for giving it to me.
I spent years not being allowed to play or listen to anything but Country and twangy-ass Telecasters/Broadcasters. I played it because it was my only income source and metal wasn't really accepted in a farm town.
The way I dressed - like a rocker - got me constantly beat up.
I had to hide a cassette player in the hay loft and listen to hard rock when I could get away with it.
I'd sneak out to concerts, telling folks it was a church field trip.
I think those early experiences are why I dislike the country nusic genre and their affinity for the Telecaster.
Yes, I have I have played them. I've played many rare ones down at Buck Owen's studio. They are the most uncomfortable guitars I have ever played. Its like a 24" x 24 slab of Douglas fir with pickups
The super bright, thin, jangly response has zero balls. When I play them, I feel like I'm playing a ukulele through an AM car radio speaker.
One dimensional and lifeless.
When I've played them for hire, because somebody wanted that tone on a recording for hired, I didn't keep it strapped on any longer than I had too.
However, In the country music genre, they are an integral part of that music's DNA...like a Telecaster and a Twin Reverb are what most famous country songs are based on.
God bless them.
For me, I am most confident when I'm playing my Les Paul through a cranked Marshall. That's my personal sonic DNA recepie.