Ok, so after lunch with family & seeing them off I got to it. Tubes in (a full compliment of NOS Mullard's)

then hooked the output to a B cab of greenbacks (the only cab I have at home ATM). As I kinda expected, the power tubes wouldn't properly bias with the 150k bais supply dropping resistor. They would only bias to approximately 8 watts per tube maximum. With a 180k in place I could get a maximum of 16.1 watts per tube. This is just a tad less than 65% of maximum plate dissipation & would have been quite ok, though it's not ideal to have the bias trimpot at the extreme of rotation, especially as the power tubes will most likely settle in & need another slight adjustment after several hours use, so I changed the 180k out for a 220k. This allowed for a bias setting of 67% with the trimpot in the central area of its rotation. Bias voltage is -33.7V.
B+ is 421V, power tube plate voltage 419.4V & screen voltage is 412V. I haven't yet checked screen dissipation.
Phase inverter plate voltages are 233V & 226V. With the meter on the 20 volt scale & the probes on the PI plates it showed a differential voltage 7.1V. This was with the 3rd tube I tried in the PI position. The cathode is at 39.8V.
After letting the amp sit powered up for around 1/2 hour, I tried volume (loudness) 2, slowly turning up to 8. Even with the chassis upsidedown & open the noise floor is very, very low. Doing the same with volume 1 (bright channel) resulted in a slight amount of hiss, but really, it's very quiet.
Next came playing tests. With the bass on 3, middle on 7 & treble on 6 I plugged my SG into the bright channel's high input & turned the volume to 2. Playing around with a few arpeggiated open chords gave a nicely balanced tone, great clear highs & good lows & good definition. Definitely has a thicker tone with more low end & doesn't have the same mids/upper mids that my '68 & '69 amps do, & has smoother highs than my '69 (superlead). At 2 on the volume it's very clean so I pushed the volume up to 4. Here it's still clean with just a slight break-up when attacking the strings harder. I'd just got through the "rock and roll ain't noise pollution" intro & into the verse (& was thinking I should push the volume, middle, treble & presence a little more) when I heard the neighbour yelling over the fence asking could I turn it down. As we are in suburbia & all doors & windows were open, I guess this was a reasonable request. Looking forward to getting it to our rehersal space (out of town) tomorrow afternoon & getting it up into its sweet spot.


Cheers